Hedi Slimane brings to the stage a non-gender collection where all looks can be worn for men or women. Life in the 70s à la Parisienne adding a glam touch. And create a project with the Fondation Cèsar.

&quot;A ma m&egrave;re&quot; . A small dedication appears on the release resting on the black benches. This is what Hedi Slimane makes to accompany the Celine collection for the next fall-winter . A co-ed or rather unisex show, without any gender distinction. Marked by the maxi logo of the Lvmh brand, founded in 1945 by C&egrave;line Vipiana , transformed into a mega installation at the back of the room. With models and models who wear the new perfume from the haute parfumerie collection, Reptile. And with a special thanks, to the C&egrave;sar Foundation which houses the work of the iconic French sculptor, mentioned by Slimane in a dozen looks. While the notes created by Sofia Bolt for the show resonate in the room, the Parisian creatures imagined by the designer go on stage. That with this collection, faithful to the 70s Parisienne thinking of the brand, Slimane tells a no gender evolution. All looks are interchangeable between men and women. A touch of rock romance in the air. In the eyes a vague gleam of glam, thanks to the new jewels, the Cristaudo de Celine, but also to those liquid crystals that embroider the evening tunics brothed by hand in the atelier. In the mind a decadent thought, marked by precious velvets and refined silks. But also a childhood memory, of those trench coats and those capes, but also of those jackets and those trousers that were part of the uniform of every 70&#39;s license plate woman. And that perhaps they were exactly the ones that Madame Vipiana wore when, at he took a breakdown in his car and was stuck under the Arc de Triomphe, seeing the links of the chains that surrounded him decided to transform that graphic sign into the logo of the brand.

Celine's unisex symphony

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