From JW Anderson to Richard Quinn up to Moncler Poldo Dog Couture. Moncler Genius returns to Milan Fashion Week with a project that goes beyond everyone's expectations

After the co-lab for the bus customized by <a href="https://www.lofficielitalia.com/fashion-week/rick-owens-e-moncler-insieme-per-una-collab-esclusiva">Rick Owens and Michelle Lamy ,</a> Moncler Genius arrives at Milan Fashion Week with a dynamic and experimental project. A creative hub where the designer collections were exhibited in 12 ad hoc installed environments. After the union of <a href="https://www.lofficielitalia.com/moda/jw-anderson-moncler-genius-rimowa-mate-bike-2020">JW Anderson</a> and the Genius team, the collections of Sergio Zambon and Veronica Leoni for 1952, Sandro Mandrino for Moncler Grenoble, <a href="https://www.lofficielitalia.com/fashion-week/simone-rocha-e-l-incantesimo-del-mare-addosso">Simone Rocha</a> , <a href="https://www.lofficielitalia.com/fashion-week/craig-green-fall-winter-2020">Craig Green</a> , Matthew Williams of 1017 ALYX 9SM, Fragment Hiroshi Fujiwara, <a href="https://www.lofficielitalia.com/fashion-week/richard-quinn-fall-winter-2020-lfw">Richard Quinn</a> and the Poldo Dog Couture collection dedicated to dogs. JW Anderson debuts with a collection that revisits its iconic garments and stylistic elements that mix men&#39;s and women&#39;s clothing with a unique and modest interpretative cut. &quot;I am fascinated by the technicality and essentiality of Moncler garments.&quot; The British designer said: &quot;A duvet must fulfill a very specific function and it is an aspect that I have always kept in mind when designing this collection, reinterpreting it through my taste for the &#39;pure abstraction &quot;. 
Sandro Mandarino reflects on the practicality of the duvets for the Grenoble line by organizing a real performance that reinterprets &quot;Walking on a Wall&quot; by Trisha Brown from 1971. Overall, white duvets and bomber jackets that celebrate the roots of the French brand with a layered and functional look . Simone Rocha is certainly the most romantic. A cinema with a dramatic projection that contextualizes its rich collection of embroideries, applications and tulle: &quot;The collection is inspired by Fellini, the dance and the fantasy of the clothes&quot;. Craig Green renews his research on the concept of transparency and protection, evolving his studies with the rip-stop only in nylon. &quot;There is a scientific side of Moncler that I find very stimulating. I wanted to push simplicity to the extreme, using the padding process almost as if it were a print. The volumes are built around the body starting from a flat element, then moving from 2D to 3D. &quot; Craig Green. An extremely exuberant vision that of Richard Quinn who winks at the space age aesthetic of the 60s. A repetitive catwalk with a haute couture version of Moncler full of embroidery and jewel details and contemporary ball bags. Once again the identity of Moncler Genius has become a unique and unrepeatable experience in the name of hic et nunc (here and now) celebrating the iconic pay-off at its best: &ldquo;Moncler. One house, different voices &quot;.

Moncler's 12 experimental environments on stage

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