The designer closes the second day of London Fashion Week with a show that mixes silhouette couture, sexy latex, punk spikes. And for the first time, it parades with men&#39;s proposals

In London, they say that Richard Quinn is about to cross the Channel and go to some great Parisian brand to draw. Meanwhile, his runway show closes the second day of <a href="https://www.lofficielitalia.com/fashion-week/via-alla-london-fashion-week-sempre-piu-aperta-al-pubblico" target="_blank">London Fashion Week</a> with a catwalk which is a mission statement. 
The large space of the Royal Horticultural Hall transforms into the facade of the House of Quinn, the imaginary seat of the designer&#39;s creativity and experimentation. In addition to the call to the world told by the Netflix series Pose, whose co-protagonist Billy Porter sits in the room, as well as Carine Roitfeld who oversaw the styling of the show. 
In a succession of looks, the stylist&#39;s visual story unfolds, making his debut with proposals for men totally in line with his aesthetic made up of couture suggestions pervaded by an iconoclastic spirit. &quot;If you have to build a universe of style, it is normal for it to be populated by men and women, so I also started creating menswear,&quot; explains the designer backstage. &laquo;I thought about how the two types of clothes can interact with each other. I started from the quintessential British style and thought about how it interacts with the rest of the world. Then I worked on the contrasts between the dark accents, the sensuality of the latex, the large floral prints, the harmony of the most sophisticated pieces &raquo;.

Richard Quinn, menswear technical tests

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